Three Twenties: a finish and a tutorial

Oh! Dear! I missed the One Monthly Goal deadline 😦 My March goal was to finish the stripy quilt (now named the ‘Three Twenties’ quilt) and write a tutorial. I did fairly well keeping momentum with the piecing – even giving myself enough time to wait for an on-line fabric purchase to arrive – but the quilting caught me out, taking far longer than I’d allowed. Still, as my boys delight in teasing me, ‘nothing ventured, nothing gained!’ (Venture was my word for 2017). Learn is my word for 2018 and I can safely say I have been learning as I’ve made the Three Twenties quilt 😀

Here it is finished.

Three Twenties by New Every Morning Patchwork & Quilting

And the back…

Three Twenties (back) by New Every Morning Patchwork and Quilting

I’m glad I incorporated the label into the pieced backing. I like the way the quilting stitches have made the label part of the quilt – it was worth a bit of forward planning 🙂

Label Three Twenties by New Every Morning Patchwork & Quilting

I decided to name this quilt ‘Three Twenties’ as the number twenty and it’s multiples kept cropping up in the cutting and piecing of the quilt top: I began with twenty width of fabric neutral strips; in each of the four ‘blocks’ there are twenty 2½” squares; and each of the four blocks is constructed from five strip units. The finished quilt measures 49½” x 52½”.

To make the stripy units I used a roll of twenty 2½” wide width of fabric strips. I cut each strip into four pieces: 16″, 12″, 8″ and 4″. I looked through my stash to find complimentary fabrics to use for the 2½” squares. There are 80 of these squares, equivalent to five width of fabric strips.

I arranged the cut strips and squares in the following way to form strip units and then stitched them together to form four rectangular ‘blocks’ (the blue rectangles should be squares but something weird happened in the copy-paste process!):

Three Twenties piecing diagram by New Every Morning Patchwork & Quilting

Block diagram by New Every Morning Patchwork & Quilting

Once the the blocks were completed I stitched a 10½” x 4½” piece of the background fabric to one end of each block.

Block and sashing by New Every Morning Patchwork & Quilting

I then cut four 2½” wof strips from the background and sewed them end to end. I then cut this long strip down into three 50½” sashing strips. I arranged the blocks and units as follows:

Three Twenties EQ7 by New Every Morning Patchwork & Quilting

Three Twenties with sashing and top and bottom borders

Finally I cut three 4½” wof strips from the background fabric, stitched them end to end (with diagonal seams) and then cut two pieces 50½” long, one for the top border, one for the bottom.

The backing I pieced from some extra wide cotton fabric, some of the background fabric and some neural fabrics from my stash. I made the quilt label by printing out computer generated wording onto paper and then tracing it on to a piece of unbleached calico using a fine tip permanent marker pen.

I used Quilter’s Dream Green wadding. I like using this manufacturer’s polyester wadding as it is a consistent thickness throughout, is soft to touch, doesn’t ‘beard’ and seems to ‘grip’ the layers of a quilt sandwich reducing the risk of puckering etc. The Green version of Quilter’s Dream wadding is made from recycled plastic bottles so that’s an  added, cool, plus point!

I pin basted the layers together and used my Pfaff Ambition Essential domestic machine to quilt it all together. My machine has an integral walking foot and I combined this with an open toe applique foot. I picked on using four Aurifil threads (2370, 2314, 2915 and 2125) and basically stitched wavy lines approximately ¾” apart from one side of the quilt to the other.

Wood grain quilting diagram by New Every Morning Patchwork & QuiltingTo create the ‘woody knots’ I just curved away from the previous line and then switched between reverse (purple pen) and forward (green pen) stitching to fill in the shape before continuing forwards to the edge of the quilt. In hindsight it would have been a lot quicker to stitch this design free-motion (see Angela Walters’ helpful tutorial) but as I said at the top, I am learning (but still feeling a bit wary of free motion quilting)!

I used more of the background fabric to make the double fold binding. I cut five 2¼” strips and added another 25″ from leftover strips. I machine stitched the binding to the back of the quilt before machine stitching it to the front. I used Aurifil 2400 50wt and the stitches barely show 🙂

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For the quilt top and binding I reckon I used approximately 42″ of background fabric. I’d advise having nearer 1½yds or 1½ metres of fabric particularly if the width is a skimpy 40″. The excess can always become part of the backing or an addition to your stash box!

Me and Three Twenties by New Every Morning Patchwork & Quilting

Me and Three Twenties (photography by #2 son)

Linking with Lorna at Sew Fresh Quilts for Let’s Bee Social.

Happy Stitching Everyone! (If you have any questions about making the Three Twenties quilt please use the comment section below 🙂 )

Allison

 

About allisonreidnem

New Every Morning – About Me Hi! I’m Allison, an obsessive patchwork-quilter who has no desire to be cured! I’ve been developing my skills and knowledge by paying attention at my local quilting group and by putting my questions into the computer search engine. I’m so grateful to the generous people who have taken the time to share their knowledge with me in person, via YouTube videos or their blogs. I’m intending my blog to be a link into the worldwide patchwork and quilting community and a means to contribute helpful hints and inspiration as I continue to discover more about this addictive craft. So, why ‘New Every Morning Patchwork and Quilting’? Well! I am a morning person! I often wake in the wee small hours and think through design and quilt construction issues. My woolly–headed evening brain finds such issues far too difficult to resolve! If I’m disciplined enough to be asleep by 10pm, I can be up cutting, piecing, pressing and quilting before sunrise! By the time daily family routine kicks-in I’ve had a satisfying, soul-feeding creative fix. (I should mention that ‘family at home’ is: my patient, faithful husband of 27years; and our equally patient 16 year old son, who acts as our in-house IT support complete with sighs and rolling eyes! Older daughter and son have both recently flown the nest). Not only do I find early mornings my creative time I also find it a time for receiving spiritual nourishment. I often find myself humming a gentle chorus and reflecting on God’s constancy as another new day dawns. ‘The steadfast love of the Lord never ceases, His mercies never come to an end. They are new every morning, new every morning; Great is thy faithfulness, O Lord, Great is thy faithfulness.’ Edith McNeil’s chorus is based on verses from the Bible – Lamentations 3: 21-23.
This entry was posted in Learn, Modern quilts, Quilt Design, Quilt Labels, Quilting Techniques, Tutorial and tagged , , , . Bookmark the permalink.

8 Responses to Three Twenties: a finish and a tutorial

  1. Nicki says:

    It’s a wonderful quilt Allison, I really like it.

    • Thank you Nicki. There were times when I was finding it hard to love this quilt! Now that it is out from under the machine needle and I can step back and look at from a distance I’m liking it more and more 🙂

  2. rl2b2017 says:

    Hi Allison,
    What a wonderful finish! I have not seen this pattern before and find it to be quite interesting. I love the quilting you did! It really gives the quilt some movement but doesn’t overshadow the pattern itself. I love hearing that you accomplished this look on your DSM – I am definitely a beginner on the FMQ circuit and enjoy Angela’s videos as well. Both ruler and FMQ work are on my get more confident in list. ~smile~ Roseanne

    • Hi! Rosanne. Thank you for your encouraging comments. I designed the patchwork pattern myself 🙂 Making the move from walking foot to FMQ is quite daunting I think. After spending many hours piecing a quilt I find it difficult to overcome the fear of spoiling the patchwork with imperfect quilting… But we all have to start somewhere and in the end hours of practice squares only go so far – quilting on a real quilt is a different experience!

  3. Diana says:

    Beautiful!

  4. Mary Huey says:

    The quilt is great — thanks for sharing the tutorial, too!!

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